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Video Internet - Stream 1928
![Recherche de vidéos [1928]](http://video.google.com/common/google_logo_small.jpg){kind=logo}  Noam Chomsky - Saddam Hussein & IraqletNOAMspeak 6 mn - 24 juil. 2008 Avram Noam Chomsky (born December 7, 1928) is an American intellectual, professor emeritus of linguistics at the Massachusetts Institute of Technology and political activist.  which wayoldtimer1928 39 s - 24 juil. 2008 its my way  A Tribute to Petrus Bosman 1928-2008BruceBraun46 6 mn - 24 juil. 2008 Petrus Bosman died of a heart attack July 20, 2008, Saturday morning,in Indianapolis Indiana where he was working as a guest choreographer. Mr. Bosman served as Artistic Director at the Virginia School of the Arts in Lynchburg, Va. from 1989 until 2006. Bosman spent 17 years as VSA's artistic director, building the school from the ground up and putting it on the map. Bosman was also a ballet instructor at Sweet Briar College. He was 80 years old and is survived by his sister, Joyce, who still lives in their native South Africa. "He was doing what he wanted to do, what he loved to do," said longtime collaborator David Keener, who worked with Bosman for 31 years and is a past director of dance at VSA. Originally from Cape Town, South Africa, Bosman was 18 when he began dancing with England's Royal Ballet and became the first soloist to join the company without having passed through its school. He was known for classical roles in productions of "Giselle," "Romeo and Juliet" and "The Nutcracker.""I think what he loved the most was when he would do the character acting and the character dancing," said North-Lowder. "He loved doing those kind of roles because he was such a character himself." While in London, Bosman worked closely with Princess Margaret to produce a series of charity galas sponsored by members of the royal family. "I loved it when he would sit around talking to the kids about his life because he was just a walking piece of history," North-Lowder said. He came to the United States in 1977 to join the artistic staff at Maryland Ballet and continued working as a choreographer and teacher all over the country. North-Lowder met him when he was artistic director at the now-defunct National Academy of Arts, an Illinois school she attended. "He was very good at helping people figure out their true passion and how to show that passion on stage," she said. "That's a gift." She remembered him as a tough but loving teacher. "He really, truly wanted the best that you could be, and sometimes would get frustrated when he thought you had more (to give) than you were offering. "There was something about the way he did it that let you know he was serious, but that he still loved you." When VSA came calling, Bosman was ballet master for Ballet West in Salt Lake City. Once at VSA, he began bringing in nationally and internationally renowned dancers to work with his students and established an annual "Evening of Elegance" benefit performance to raise money for VSA scholarships. Bosman retired from VSA in 2006, but remained on the faculty as an artistic director emeritus. He began traveling the country, working as a guest choreographer at ballet companies and schools. He was due to finish his guest position at Jordan Academy this week and planned to return to Lynchburg briefly before his next gig. "You can tell people he left this world dancing."  E.M. Skinner Virtual Pipe OrganMilanDigitalAudio 8 mn - 24 juil. 2008 The 1928 E.M. Skinner Grand Organ of Our Lady of Mount Carmel Roman Catholic Church in Chicago, Illinois is one of the few Skinner organs that remains in nearly all of its original state. Skinner himself gave the organ its final tonal specifications which have not been changed over the years. This demo was recorded using Hauptwerk. The piece is Widor's Symphonie # 10 (Romane) Mvt. I performed by Brett Milan Visit http://www.milandigitalaudio.com/skinner.htm for more information.  a dancin romane chapter 15mycrazylife1928 4 s - 24 juil. 2008 mark:my names mark nick:im nick and this is haley mark:nice to meet u guys nick:same here mark:so u guys r a couple nick:yeah mark:and a nice one at that nick:thank u *the ferris wheel starts haley moves cloaser to nick* nick:wats wrong haley haley*studders*nothin nick:so how was ur day mark:very good u nick:yea pretty good except a few times today mark:oh so nick:so mark:so dose she talk nick:yeah i dont get y shes not talking right now mark:well haley im mark haley:*in a low voice:hi mark:hi nick:well the ferris wheel is almost over it was nice to meet u *the ferris wheel stoped and they got off mark went one way and haley and nick went another* nick:y dident u talk haley:scared nick:haley of who haley:that was the guy nick:that was him and u dident tell me haley:i couldent i was well idk i guesse i was afriad of wat would happen nick:next time i see him hes gonna be afraid haley:dont do anything u will regret nick:i cant regret protecting u haley:aw ur so sweet *then jake comes up to them* jake:okay guys time to leave haley:good im tired nick:me too *so they go back to jakes house and they sit down and watch tv* haley:im gona go take a sower bye jake:bye *when haley gets out nick and jake r on the couch hyponotized by the tv she gose over and sits bettwen them* nick:hi haley:hi jake:well i thinks its best we get some shut eye u guys have school tommorow remeber haley:crap nick:night *haley lays down on the couch nick and jake go into thier bed rooms and then finally its mroing and thier all up haley and nick r on the couch haley is laying in nicks arms and then its time to got to scholl nick drives and haley and him walk to thier classes and finally its time for lunch and thier sitting together haleys friend and nicks friends come up to them* haley:may i help u one of the guy:haey sit with us insted of twinkel toes ovr thier one of nicks friend:hey hes not twinkel toes that girl over thier is a stupid tomboy with no standers at all nick*stands up* dont talk about my girlfriend like that dude haleys friends:haley u arent haley:wat if i am i like nick okay no matter if he is twinkel toes nick:thnx haley:just saying oh and another thing*turns to nick friend* dont mess with me dude nick friend:nick u r no longer to be hanging with us when ur with this mess when u come back to reality then u can come back haleys friends:right *theyre friends left* haley:wow that was really funny in a way nick:i know do u think we should tell jake we r dating haley:we can let him figure it out nick:yea* *they burst out laugh for no reason and finally schools over and nick drives them back to jakes house where jakes on the couch watching tv* jake:how was school haley:boring nick:agreed jake:u two sit down right thier *they sit down* jake:now u two r a perfect couple y dont u get together haley*trying ever so hard to laugh(AN) DID I JUST SAY EVER SO HARD WERID BACK TO THE STORY* i refuse nick:me too jake:no i i insit u stand right infront of me and make out our ill will force u two haley:fine i guesse nick:im not gonna enjoy this r u haley:nope *they stand up and get infront of jake and nick pull ha;ey in and they kiss and then they pull away* jake:i did a great job haley*laughing* im sorry i have to tell him jake:tell me wat nick:me and haley were already dating jake:and u dident tell me i spent all afternoon working on that speech nick:well it did have one good effect haley:agreed jake:u two r horrible haley:i live to be jake:wel u guys im going to be going on a date tonight haley:with who jake:um ur mom haley haley&nick*burst out laughing* haley:no seriouly jake:im being serious haley haley:y y would u date her u know wats gonna happen dont u she will use u she will take ur money and then when she gets wat she wants she leaves u thats wat guesse she needs more more then wat she can handel jake ur a great guy my moms isent very a good women do u want to end up like my dad no money no life but with him it was diffrent with all the other men she slept with when she was with my dad my mom had to get a blood test to make sure i was my dads child but i guesse it dosent matter anymore send my mom my best wishes*then haley runs out of the room and just sits on the floor of nicks bedroom and crys about five minutes nick comes in and sits bye her haleycrys on his shouldar* nick:jake dosent want to hurt u haley:thats wat my mom said that she dosent want to hurt me but i guesse wat she did nick:haley tonight when jake leaves me and u just me and u will watch some movies cuddel on the couch make out and mabey even mabey we can pull a prank on jake: haley:i like that idea exspecially the prank part but i like the part where me and u just me and u that was chapter 15 hope u like it the finale might be coming up i cant upload tonight but tomrrow night i can peace love jonas Longueur inconnue - 24 juil. 2008 Lance and his friend Pat got his 1928 Model A running today and this was one of his test drives.  $700,000 - 123 Adams, Ypsilanti, MIRealEstateOneVideo2 1 mn - 24 juil. 2008 http://www.ewebengine.com/listredir.php?id=175726&s=youtube&l=1123 AdamsYpsilanti, MI 48197Beautiful Sand Colored Brick Neo-classical Revival Church Building Was Constructed In 1928. Areas Include The Inclined Sanctuary Seating 200-250, Classrooms, Offices; Kitchen & Fellowship Hall Are Located In Lower Level. 9,632 Square Feet Per City Assessor. Recent Updates Include Kitchen, Carpeting, Painting, Boiler, New Restroom, Office & Sound System. Possible Lease With Option To Purchase On Land Contract. Bring All Offers.Listed by Esch W. Wayne - Real Estate Onehttp://www.ewebengine.com/listredir.php?id=175726&s=youtube&l=1  my cinderella chapter 3jonasbrothersfan1928 4 s - 24 juil. 2008 *the next day was a school day so haley and tom drove thier together* tom:y cant u tell joe that it was u in the mask haley:beacuse he wouldent feel the same about me i mean look at me tom:haley ur beatiful and if he matteres so much to u and u mean so much to him he would like u for u not for someone he sall underneth a mask haley:but wat if he dosent beside how would i bring it up*sarcaticially* oh hi im haley i was the girl u danced with at the dance u know the girl i the mask tom:fine i will bring it up haley:tom no tom:wat if i just start a converstaion with him ask him about the dance when he describes u i say my friend looks just like that haley:no its better i he dosent know at all besides y would he like me tom:cuase ue beatiful funny and very sweet haley:aw thank u but i still think ishould keep it a secret tom:fine do wat u will *they finally arrive at the school joe and marget and a bunch of more popular girls and guys r standing in the parking lot* haley:great another reason y i should not say anything tom:lets go *they walk by them then out of no where marget comes up to them* margt*in a snooty voice*um ur haley right haley*stumbling* yes marget:u work at the diner right haley:yea marget:tell that rosa lady to put mor ice in my tea next time haley:hey thats my friend and another thing the reason she dosent put enough ice in ur tea is shes afraid the ice will melt whe it takes a look at ur face oh burn tom:she dident mean that hi im tom haley:tom shutup and yes i did mean it marget:uggg*stormed off* *tom was watching her leave then he notice haley crying and walking away* tom:haley wait up haley:leave me alone tom:wat did i don haley*sarcaticially* she dident mean that hi im tom tom:okay im sorry but margets hot u cant blame a guy haley:yes i can tom:okay look im sorry i was caught up in the moent haley:lets just get to class i have to work for stella today tom:bye *after school haley gose to the diner* stella:i told u to get here five hours ago haley:i had school sorry *after ten minutes joe marget and two other people come in and sit down* stella:haley do that tabel haley:do i have to stella:yes do it *she walks u to the table* marget:oh u work here haley:yes wat may i help u with marget:ill have a glass of water and joe will have the same joe:acculey i wanted ice tea marget:tea is bad for u joe:water please *haley writes it down and she brings them the water* marget:where did u get the water from haley:its from where ever they get it from gosh its just water marget:i dont need to be spoke to in that tone com were leaving *as theyre walking joe comes up to haley* joe:is thier a waitress here who went to my school dance and her stepmom owns it haley:um i think so joe:wats her name haley:she told me about u u know she has it bad for oh o cant say her name joe:plz haley:i cant sorry *so joe just leaves rosa comes up to her* rosa:was that the boy haley:yea rosa:hes cute just tell him u had a chance thier will be more haley:i cant he wont like me im me no good at anything and i suck at being pretty rosa:nonsense ur beatiful and if he ment something to u and u ment something to him he would like u for uu haley:ur starting to sound like tom rosa:that boys smart then haley:i just wish i could show him me chapter 3 enjoy i know this is sounding like cinderella story but im gonna mix thngs up a bit so dont stop reading beacuse it sounds like it i kinda based it on it so yea but its gonna be diffrent  Overture 1928 - JesseMickyDJesseMickyD 4 mn - 24 juil. 2008 1 take in-studio, kinda rough but enjoy guys. =D  Willy and the Hand Jive - Johnny Otis - 1958zuzine 2 mn - 23 juil. 2008 Précisons que le « hand jive » est une espèce de danse à la con (comme quoi c'est pas nouveau) qui consiste à taper en rythme avec ses mains sur son propre corps, comme nous le prouvent Marie Adams & The Three Tons of Joy qui accompagnent l'Otis sur ce clip de 1958. Lionel Hampton y apparaît à la fin, une jam semble se profiler, mais... c'est coupé ! Clapton reprendra merveilleusement ce titre en 1974 (sans se taper dessus) dans son excellent album « 461 Ocean Boulevard ». Le Hand Jive, d'après Bernard Jolibert (http://www.reunion.iufm.fr/Recherche/Expressions/20/Jolibert.pdf) : Le hand jive est une technique qui permet d'user de son corps comme d'un instrument de percussion (joues, poitrines, sinus, cuisses comme caisses de résonance, etc.) ainsi qu'en témoigne le Hand jive blues de J. C. Burris (1928). Complément d'info trouvé sur (http://www.country-bears.com/) : PARTIE C MODIFIED HAND JIVE, 1/4 TURN L JUMP 4 x 8 counts 1 - Frapper les mains sur les hanches 2 - Frapper les mains 3 - Croiser la main D au dessus de la main G 4 - Croiser la main G au dessus de la main D 5 - Toucher la poignée D sur la poignée G 6 - Toucher la poignée G sur la poignée D 7 - Pointer avec le poux D derrière l'épaule D 8 - Pointer avec le poux G derrière l'épaule G et 1/4 à G, sauter START AGAIN AND SMILE ! Johnny Otis d'après Wikipedia : Johnny Otis est un musicien, chef d'orchestre et compositeur américain, d'origine grecque, de son vrai nom Yannis Veliotes, né le 28 décembre 1921 à Vallejo (Californie), qui a contribué à populariser le rhythm and blues. Dès la fin des années 1940, Johnny Otis commence à jouer comme batteur, pianiste et vibraphoniste dans des orchestres de jazz, en Californie. Il se passionne pour la musique noire, et tout particulièrement pour le rhythm and blues. Il forme alors son propre orchestre, accueillant de nombreux musiciens, ainsi que des chanteurs et chanteuses. On lui doit notamment d'avoir révélé Little Esther, alors très jeune, qui deviendra plus tard la remarquable Esther Phillips. Il a été l'un des tout premiers des musiciens blancs, sinon le premier, à être reconnu et apprécié dans la sphère musicale noire. Le spectacle donné par son orchestre, le Johnny Otis Show, a longtemps été fameux dans tous les États-Unis. Il a inspiré le Ike and Tina Turner Show. Johnny Otis a enregistré pour de nombreux labels. L'un de ses principaux succès est Willie and the hand jive (1958). En France, il a eu les faveurs de l'émission Salut les copains avec sa chanson Telephone Baby, enregistrée pour Capitol Records avec la chanteuse Marci Lee. Johnny Otis figure depuis 1994 au Rock and Roll Hall of Fame. Johnny Otis est le père du guitariste Shuggie Otis. The Hand Jive, according to Wikipedia : The Hand jive is a dance particularly associated with rock and roll and rhythm and blues music of the 1950s. It involves a complicated pattern of hand moves and claps at various parts of the body, following and/or imitating the percussion instruments. It resembles a highly elaborate version of Pat-a-cake. Hand moves include thigh slapping, cross-wrist slapping, fist pounding, chest slapping and pounding, hand clapping, elbow touching and hitch hike moves. The hand jive was particularly popularized by Johnny Otis's 1958 hit "Willie and the Hand Jive". Eric Clapton did a version of the song in 1974 that reached the Top 40.[1] It is also featured prominently in Grease, in which the song "Born to Hand Jive" is performed by Sha Na Na. Additionally, the Hand Jive was played on several occasions by the Grateful Dead and also by the Jerry Garcia Band. The term is also used by some jugglers in reference to certain hand motions in the Mills Mess juggling pattern. For complete informations about Johnny Otis, see the official web site : http://www.johnnyotisworld.com |
